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In this collection of three stories, an emotionally abused
wife finds comfort in the arms of her brother-in-law, a young
dancer undertakes an erotic and redemptive pilgrimage to Rome
involving live sex shows and nude photography, and a femme
fatale looks into a mirror as she recalls a sadomasochistic
love affair...
Try
imagining an erotic version of Alfred Hitchcock Presents,
and you'll have some idea of what this DVD series is like.
Only less well made. Producer Tinto Brass has little direct
involvement with these short films, apart from introducing
each one while puffing away characteristically on a cigar,
and making the occasional cameo appearance.
Though
the productions claim to have been directed in the "Tinto
Brass style", there is scant evidence of it here. Only in
A Magic Mirror is there any hint of Brass's eccentricity,
in the grotesque character of a brusque layabout husband (Ronaldo
Ravello), who spends much of his screen time lounging around
in a bath, like the captain of the B-Ark in The Hitchhiker's
Guide to the Galaxy. But, although this tale displays
the most humour in the entire collection, it also shows off
the least amount of bare flesh, which is surely another important
ingredient that the audience will be expecting.
Things
get sexier in Julia, the story from which this collection
takes its name, which includes some particularly explicit
and highly charged sex scenes. Unfortunately, the plot is
almost totally incomprehensible - something to do with a dancer
(Anna Biella) going to Rome, but wildly at odds with the description
on the back of the sleeve, which mentions a photographer's
three beautiful models. I counted two of them at the most.
This production is also blighted by amateurish editing, which
leaves several gaping holes in the soundtrack. Oh well, at
least this DVD is subtitled, which spares us from woeful English
dubbing of the type recently heard on Brass's Private.
The
final tale, I Am the Way You Want Me, is a very weird
and nasty little minx. In it, a naked woman (Fiorella Rubino)
sprawls around in her bathroom, mouthing various strange utterances
to camera, and doing erotic things to herself, such as shaving
with a fearsome-looking cutthroat razor (shudder). And that's
about it.
A
further disappointment is the lack of any extra features.
So, all in all, this DVD has left me feeling rather brassed
off!
Chris
Clarkson

Studios Cherish Sets — Art Modeling
A studio's "set" isn't just a random collection of items; it's a tool for unlocking creativity. Different types of sets are used to achieve different artistic goals:
Props should feel like treasured heirlooms. Avoid plastic or overly modern items unless they are intentionally juxtaposed against a vintage background. art modeling studios cherish sets
With a solid toolkit in place, the real magic happens when you combine these elements to create specific, themed "sets." Thematic sessions are a major draw for artists and a fantastic way to utilize the props you've cherished. Here are a few ideas to bring your studio to life: A studio's "set" isn't just a random collection
What makes a set truly special? The best studio sets often feature a blend of: With a solid toolkit in place, the real
If you are looking to acquire these sets for your own practice, these studios are industry leaders:
Professional art models often speak of “working with” the set, not just posing in front of it. A sturdy wooden ladder, a draped hammock, or a row of stacked crates invites dynamic, sustainable poses. Sets give models tactile cues — a backrest, a handhold, a step — that make long poses physically manageable. Studios that invest in quality sets show respect for their models’ craft and well-being.
A cherish set provides immediate context. When a model interacts with a beautifully preserved 1920s chaise lounge or stands bathed in the amber glow of a stained-glass window, it triggers an emotional response. The artist is no longer just drawing a form; they are painting a mood. 2. Organic Model Interactions
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£15.99
(Amazon.co.uk) |
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£15.49
(MVC.co.uk) |
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£15.49
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All prices correct at time of going to press.
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