While designed for saxophone, this concept applies to all single-line instruments (trumpet, flute, trombone, piano right hand, guitar).
Harris’s method allows for the inclusion of "wrong" notes that become "right" through context and resolution. It teaches the student to weave a thread through the harmony rather than standing on top of it.
: Applies these concepts across various genres, including blues, funk, and Latin music, while focusing on melodic development and rhythmic variations. Availability and Formats
The is a transformative 3-volume guide that replaces linear bebop phrases with step-by-step intervalic motion, aimed at helping jazz musicians achieve a "state of the art" level of improvisation. If you're interested in implementing these concepts, I can: Explain how to build symmetrical scales or triad pairs . eddie harris intervallistic concept pdf patched
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Eddie Harris (1934–1996) was a true Renaissance man of jazz. Based out of Chicago, he was a virtuoso tenor saxophonist, pianist, composer, and inventor. While the general public knows him best for his crossover hit with Les McCann, "Compared to What," and his iconic composition (popularized by Miles Davis), academia and serious students remember him as a radical music theorist.
If you want, I can:
The PDF had only a few pages of actual "rules," but the core exercise was ruthless:
Exploring "Skips: For the Advanced Saxophonist" (The Intervallistic Book)
These leaps are awkward; prioritize tone quality over speed. While designed for saxophone, this concept applies to
Packed with hundreds of studies in altissimo playing, intervals, syncopation, chord substitution, polychords, superimposed triads, Jamey Aebersold Jazz
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: Developing patterns based on physical shapes on the saxophone that yield unexpected tonal centers. : Applies these concepts across various genres, including