While many critics praise the film for its honesty and "anarchic energy," others criticize it for its treatment of female characters and its perceived misogyny. The characters’ treatment of women is often degrading, reflecting a specific, albeit problematic, era of "macho" cinema.
The narrative follows two crude, aimless, and thoroughly amoral young thugs, Jean-Claude (Gérard Depardieu) and Pierrot (Patrick Dewaere), who drift across the French countryside. They live entirely on the fringes of society, filling their days with petty theft, carjacking, and harassing everyday citizens.
It was part of a wave of "post-May 1968" French cinema that sought to tear down traditional bourgeois values and politeness.
The creative forces behind Going Places were at the top of their game, featuring a director and cast who would go on to define French cinema for decades. fylm going places 1974 mtrjm kaml fydyw lfth
Today, the film is impossible to watch without controversy. The protagonists treat women as objects for their pleasure, including a notorious scene involving a rape that is played for dark comedy. Some critics argue Blier exposes male sexual aggression without endorsing it. Others see the film as irredeemably sexist.
: Availability varies by region and changes frequently. At the time of writing, the film occasionally appears on niche streaming services dedicated to classic or art-house cinema, such as Kanopy, which is available through many public libraries and universities.
Bruno Nuytten (who would later shoot Jean de Florette and direct Camille Claudel ) gave the film a gritty, naturalistic look, contrasting with the polished studio films of the era. While many critics praise the film for its
Their aimless journey takes a turn when they meet Marie-Ange (Miou-Miou), a bored hair salon employee who quickly joins their chaotic life. Together, the trio embarks on a hedonistic odyssey, engaging in unconventional relationships and displaying total contempt for societal conventions, law, and order. The film is episodic, focusing less on a rigid plot and more on the chaotic, intimate, and sometimes disturbing interactions between the characters. Key Themes and Societal Impact 1. The Legacy of May '68
★★★★☆ (4/5) – revolutionary in form, troubling in content, unforgettable in impact.
For audiences seeking the "mtrjm kaml" (full translated) experience, understanding the cultural weight and the raw, often uncomfortable nature of this film is essential. The Plot: A Journey Without a Destination They live entirely on the fringes of society,
Going Places is a 1974 French comedy-drama film that stands as one of the most provocative and talked-about movies in French cinematic history. The film was co-written and directed by Bertrand Blier, who based it on his own novel of the same name, published two years earlier in 1972.
تتغير ديناميكية الأحداث عندما يلتقيان بفتاة تُدعى (تؤدي دورها الممثلة ميو-ميو)، وهي مصففة شعر شابة تعيش حياة رتيبة. تنضم الفتاة إليهما في رحلتهما العشوائية المليئة بالمغامرات الجنسية والجرائم الطائشة. تبحث الشخصيات الثلاث طوال الفيلم عن اللذة والحرية المطلقة بعيداً عن قيود المجتمع البرجوازي التقليدي. طاقم العمل والنجومية العالمية
