La serie llevó las escenas de alcoba a la televisión abierta con una estética cuidada pero explícita para la época. Aunque el erotismo era el gancho visual, el lenguaje visual jugaba con la sugerencia y el humor físico.
The premise was simple, yet infinitely malleable. Each episode presented a self-contained story—or sometimes two—centered on infidelity. Unlike traditional telenovelas that require a six-month commitment, Infieles offered bite-sized morality plays. A husband caught in a lie; a wife seeking revenge; a lover discovering they were the "other" person.
Elenco * Eduardo Paxeco. Santiago. /Juan Pablo. /... ... * Yamila Reyna. Lorna. /Lourdes. 5 episodios • 2005–2012. * Noelia Arias. Infieles (Miniserie de TV 2005–2014) - IMDb serie chilena infieles chilevision
Infieles (2005–2015) is a cult classic of Chilean television, a provocative anthology series that carved out a unique space on by blending eroticism with a distinctly Chilean sense of humor. It wasn't just "late-night TV"; it was a mirror—albeit a distorted and steamy one—of the country's social taboos. The Premise: Sex, Lies, and Comedy
In January 2024, Chilevisión resurrected the series for a new generation, rebranding it as Infieles Trasnoche . The series airs very late at night due to its adult themes: La serie llevó las escenas de alcoba a
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. True to the show's format, this is an erotic comedy of errors involving a series of misunderstandings, Chile’s unique "picardía," and a chaotic climax. Elenco * Eduardo Paxeco
Chilevisión’s schedule placement caused friction. Initially airing at 10:00 PM, the show was moved to 11:00 PM after complaints. However, ratings actually increased because the later time slot allowed for rawer dialogue and implied nudity.
"Infieles" se estrenó en el año 2005 bajo la premisa de retratar la infidelidad no desde el drama desgarrador de las teleseries tradicionales, sino desde la comedia de situaciones y el erotismo sutil. Cada capítulo presentaba una historia de autoconclusión (un formato unitario) donde los malentendidos, las mentiras piadosas y las pasiones desatadas eran los motores principales de la trama.
The core premise was simple: exploring the comical, dramatic, and often absurd situations that arise from romantic betrayal. The stories followed a predictable yet highly addictive structure:
The episode ends with Elvira pretending she doesn't know any of them, Gladys chasing Pato down the street with a plunger, and the personal trainer successfully sneaking out with the antique clock Ricardo was looking for.