As a jazz pianist, there's nothing quite like the thrill of sitting down at the keyboard and improvising a solo that tells a story, evokes a mood, or simply swings. But for many of us, the idea of creating music on the spot can be daunting, especially when it comes to soloing over complex chord progressions.
The rain in Seattle hadn’t stopped for three days. Inside a cramped basement apartment in the Capitol Hill neighborhood, Elias sat hunched over his aging upright piano. He was a jazz studies major, talented but stuck. His playing was technically proficient—he could nail the chord voicings of Bill Evans and mimic the phrasing of Keith Jarrett—but he lacked something essential. His professor had told him just yesterday, "Elias, you’re playing the geometry of the music, not the soul. You need to find your own voice."
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Solo Jazz Piano: The Linear Approach by Neil Olmstead is a comprehensive guide from Berklee Press that focuses on developing a "linear" style of improvisation, inspired by jazz greats like Lenny Tristano and Dave McKenna. Hal Leonard Core Content & Lessons The book is structured into 21 progressive lessons
Explores "The Melody in the Middle" and techniques pioneered by Lenny Tristano and Dave McKenna. Inside a cramped basement apartment in the Capitol
Utilizes "guide-tone lines" and non-chord tones to create musical conversation.