(if you have any problems or need something not listed, .)
| Software Nomenclature | Radios Associated With | Radio Use Manual | Radio Service Manual | Other Radio Information |
| KPG-1d | None | |||
| KPG-2d | None | |||
| KPG-3d v 2.60 | TK-805 (5 Tone) | |||
| KPG-4d | None | |||
| KPG-5d v 2.14 | TK-930, 931 | TK-930 TK-931 | ||
| KPG-6d v 1.30 | TK-705d, 805d, 706d, 806d | TK-705 TK-805 | ||
| KPG-7d v 2.01 | TK-630, 730, 830 | TK-630 TK-730 TK-830 | ||
| KPG-8d | None | |||
| KPG-9d v 1.40 | TK-240d, 340d | |||
| KPG-10d | None | |||
| KPG-11d v 1.25 | TK-230, 330 | |||
| KPG-12d v 2.23 | TK-930a, 931a | |||
| KPG-13d v 1.04 | TK-715, 815 (UK) & (MPT 1327 Trunked) | TK-715 | ||
| KPG-14d | None | |||
| KPG-15d v 1.01 | KDS-10 (Two Tone Decoder) | |||
| KPG-16d v 1.10 | TK-430, 431 (LTR) | |||
| KPG-17d | None | |||
| KPG-18d | None | |||
| KPG-19d | None | |||
| KPG-20d v 1.04 | TK-249t & e, 349t, 709t & e, 809t & e | |||
| KPG-21d v 2.00 | TKR-720, 820 & TKB-720, 820 | TKR-720 TKR-820 | Must use KTB-20 or 50 programmer | |
| KPG-22d | None | |||
| KPG-23d v 2.02 | TK-250, 350 | TK-250 TK-350 | Also Special Ham Version Available | |
| KPG-24d | None |
| Software Nomenclature | Radios Associated With | Radio Use Manual | Radio Service Manual | Other Radio Information |
| KPG-25d v 3.02 | TK-840, 940, 841, 941 | TK-940/941 | ||
| KPG-26d v 1.00 | TK-353 (LTR) | |||
| KPG-27d v 5.00 | TK-260, 360, 278, 378, 270, 370, 272, 372, 388 | TK-260, 270, 272, | ||
| KPG-28d v 2.00 | TK-759, 859, 752, 852 | TK-752/759 | ||
| KPG-29d v 4.00 | TK-760, 860, 762, 862, 768, 868 | TK-760, 762, 768, 860, 862, 868 | ||
| KPG-30d | None | |||
| KPG-31d v 2.00 | TK-255,355 (UK) (MPT 1327 Trunked) | |||
| KPG-32d v 1.21 | TK-259, 359 | |||
| KPG-33d | None | |||
| KPG-34d v 2.00 (LAB) | TK-261, 361 | |||
| KPG-35d v 2.00 | TK-480, 481 (V1 Only) | |||
| KPG-36d | None | |||
| KPG-37d | None | |||
| KPG-38d v 2.01 | TK-290, 390 Also KPG-38DN for Narrowband | TK-290 | ||
| KPG-39d | None | |||
| KPG-40d | None | |||
| KPG-41d v 1.12 | TK-715, 815, 255 | TK-715 | ||
| KPG-42d | None | |||
| KPG-43d | None | |||
| KPG-44d v 1.40, DN, FS | TK-690, 790, 890 (DN for Narrowband FS for CA Fire Service) | TK-690, TK-790, TK-890 | ||
| KPG-45d | None | |||
| KPG-46d | None | |||
| KPG-47d v 3.02 | TKR-830, 740, 840 | TK-740 TK-840 | ||
| KPG-48d v 1.01 (LAB) | TK-2100, 3100, 3101 | TK-2100 TK-3100 TK-3101 |
| Software Nomenclature | Radios Associated With | Radio Use Manual | Radio Service Manual | Other Radio Information |
| KPG-49d v 6.30 | TK-280, 380, 480, 980, 780, 880, 481, 981 | Guide to Fleetsync | ||
| KPG-50d | None | |||
| KPG-51d | None | |||
| KPG-52d v 1.00 | UBZ LH-14 | |||
| KPG-53d | None | |||
| KPG-54d v 1.00 (LAB) | TK-3101 | TK-3101 | ||
| KPG-55d v 4.20 | TK-2102AG, 3102AG, 2106Z, 3106Z, 2107, 3107 | TK-2102, 2106, 2107, 3102, 3106, 3107 | ||
| KPG-56d v 4.22, SCN | TK-260, 360, 278, 378, 388, 270, 370, 768, 868, 762, 862, 760, 860, 272, 372 (All G Models) | TK-378, 768, 868 | ||
| KPG-57d | None | |||
| KPG-58d v 1.00 | TK-290-11B German | TK-290-11B | ||
| KPG-59d v 3.02 | TK-190, 6110 | TK-190, TK-6110 | ||
| KPG-60d v 2.10 | TK-280, 380, 780, 880 | TK-280, 380, 780, 880 | ||
| KPG-61d | None | |||
| KPG-62d v 2.11 | TK-285, 385, 785, 885, 380MT, 880MT | TK-285, 385, 785, 885 | ||
| KPG-63d v 2.00 | TK-380, 880, 480, 980, 481, 981 (Passport) | TK-480, 980, 481, 981 | ||
| KPG-64d v 1.12 | TK-280, 380, 780, 880 (Passport ESN) | |||
| KPG-65ed v 1.00 | TK-280, 380, 780, 880 Fleetsync | |||
| KPG-66d v 2.01 | TKR-750, 850 (vs 1 Only) | TKR-750, 850 | ||
| KPG-67d v 2.11 | TK-260, 360, 270, 370, 760, 860, 762, 862 (All G Models) | |||
| KPG-68d | None | |||
| KPG-69d v 1.10 | TK-2118, 3118 | TK-2118, 3118 | ||
| KPG-70d v 3.11 | TK-7102, 8102, 7108, 8108 | TK-7102, 7108, 8102, 8108 | ||
| KPG-71dv 1.30 | KDS-100 MDT | KDS-100 | ||
| KPG-72d | None |
However, watching both films in HD reveals unexpected continuities. The 1939 film was shot in black-and-white, which emphasizes contrast and texture. The 1956 version’s Technicolor opulence reflects the different tastes of the post-war era: audiences wanted escapism, and MGM delivered. Moreover, the musical numbers in The Opposite Sex —though sometimes derided—offer a commentary on the characters’ inner lives. “Young Man’s Fancy” depicts Kay’s emotional awakening, while “Rock ‘n’ Roll Tango” parodies the era’s music trends. In HD, these sequences are technically impressive, even if they don’t advance the plot.
These relationships work because they create a balanced ecosystem. Like a puzzle, the "outies" of one person fit into the "innies" of the other. The Anatomy of an "Opposite" Storyline
The film serves as an important bridge in the careers of several Hollywood legends. For June Allyson, it marked her final major production for MGM after a prolific 15-year tenure with the studio. Conversely, Joan Collins delivered a calculated performance as the predatory Crystal Allen, establishing a template for the calculating, high-fashion antagonists she would play decades later on television series like Dynasty .
The danger of an opposite relationship—both in fiction and reality—is that the very thing that attracts you can eventually become the thing that annoys you. The Opposite SexHD
: Federal and international bodies, such as the U.S. Department of State , now generally adjudicate visa and legal applications for same-sex couples identically to those of opposite-sex spouses.
: Identify what one character has that the other lacks. For example, a workaholic and a slacker may initially clash, but eventually, they teach each other the value of structure and relaxation.
This public link is valid for 7 days and shares a thread, including any personal information you added. This link or copies made by others cannot be deleted. If you share with third parties, their policies apply. Can’t copy the link right now. Try again later. The Opposite Sex (2014) - IMDb However, watching both films in HD reveals unexpected
Today, high-definition storytelling has traded sanitized, idealized romances for raw, complex human behavior. Modern films explore the spectrum of gender, moving past binary clichés to look at emotional vulnerability, communication breakdowns, and genuine partnership. 2. Why High-Definition Storytelling Changes the Narrative
Any discussion of The Opposite Sex inevitably leads to comparison with its predecessor, The Women . The original, directed by George Cukor, remains a masterpiece of sharp dialogue and all-female ensemble acting. No songs, no male actors—just pure dramatic tension. Many critics argue that The Opposite Sex diluted the original’s feminist bite by adding heterosexual romance and frivolous musical numbers.
refers to the high-definition viewing experience of cinema's most fascinating explorations of gender dynamics, romance, and relationships. From mid-century musical satires to modern indie comedies, Hollywood has frequently returned to this thematic title to explore how men and women navigate love, betrayal, and competition. Moreover, the musical numbers in The Opposite Sex
: Research often focuses on how men and women perceive one another. For example, Ipsos global surveys indicate that personality traits like humor and sensitivity are valued more than physical looks across many cultures.
Old-school cinema used heavy diffusion filters to make stars look flawless, symbolizing an idealized, flawless version of romance. Modern cinematography embraces realism. Seeing characters with real textures, imperfections, and unscripted reactions mirrors the messy reality of modern dating. 3. Key Themes in Contemporary Gender Dynamics
Don Roos Music by: Mason Daring Cinematography by: Hubert Taczanowski
The film revolves around the premise of "love 'em and leave 'em" behavior in the modern dating scene, with a specific focus on high-stakes competition. 2. Plot Summary: A Battle of the Sexes
| Software Nomenclature | Radios Associated With | Radio Use Manual | Radio Service Manual | Other Radio Information |
| KPG-97d | None | |||
| KPG-98d v 2.08 | TK-2140, 3140 (Passport) | |||
| KPG-99d v 1.55 | TK-7160, 8160 | |||
| KPG-100d v 1.52 | TK-2212, 3212, 2217, 3217 | |||
| KPG-101d v 2.40, DC, DN, HNT | TK-2170, 3170, 3173 (DN for Narrowband) (HNT for 2170HNT) | |||
| KPG-102d v 2.01 | TK-90 (HF Transceiver) | |||
| KPG-103d | None | |||
| KPG-104d | None | |||
| KPG-105d | None | |||
| KPG-106d | None | |||
| KPG-107d v 1.01 | TK-3178 | |||
| KPG-108d v 2.00C1, DC | TK-3230 Portable XLS, DC for TK-3230, 3238 | |||
| KPG-109d v 3.00, DN | NXR-700, 800, 900, 901 Repeaters | |||
| KPG-110SM v 3.00 | NXR-700, 800, 900, 901 Repeaters | |||
| KPG-111d v 3.00, DN, DC | NX-200, 300, 210, 410, 411, 700H, 800H, 900, 901 | |||
| KPG-112d v 2.01, DN | TK-5220, 5320, 5720, 5820 | |||
| KPG-113AE v ?.?? | AES Encryption Key Loader | |||
| KPG-114DE v ?.?? | DES Encryption Key Loader | |||
| KPG-115d | None | |||
| KPG-116d | None | |||
| KPG-117d | None | |||
| KPG-118d v 1.22, DC | TK-2302, 3302, 2306, 3306, 2307, 3307 | |||
| KPG-119d v 2.00, DN, SW | TK-2302, 3302, 2302 & 3302 Protalk, (DN for Narrowband), SW for TK-2302, 3302 LMR | |||
| KPG-120d v 1.20 | TK-2300, 3300 LMR and Protalk |
| Software Nomenclature | Radios Associated With | Radio Use Manual | Radio Service Manual | Other Radio Information |
| KPG-121d v 1.01 | TK-3301e, 3301t | |||
| KPG-122d | None | |||
| KPG-123d v 1.01 | TK-2260EX, 3360EX | |||
| KPG-124d v 1.30, DN, DC | TK-7302, 8302 (DN for Narrowband) | |||
| KPG-125d | None | |||
| KPG-126d | None | |||
| KPG-127d v 1.10 | TK-3178L (MPT) | |||
| KPG-128d v 1.31, DN, DC | TK-2360, 3360 (DN for Narrowband) | |||
| KPG-129d v 1.50 | NXR-710, 810 | |||
| KPG-130d v ?.?? | TK-T300E TETRA | |||
| KPG-131d | None | |||
| KPG-132T v ?.?? | ?????? | |||
| KPG-133d | None | |||
| KPG-134d v 2.32, DN, DC | TK-2312, 3312, 2317, 3317 (DN for Narrowband) | |||
| KPG-135d v 2.11, DN | TK-7360, 8360 (DN for Narrowband) | |||
| KPG-136d | None | |||
| KPG-137d v 2.20 | TK-2000, 3000, TKU-300 | |||
| KPG-138d v 1.00 | TK-2310R | |||
| KPG-139d | None | |||
| KPG-140d | None | |||
| KPG-141d v 1.21, DN, DC | NX-220, 320, 720HG, 820HG | |||
| KPG-142d | None | |||
| KPG-143d v 1.10, DN | NX-200S, 300S, 210,410,411, 700H, 800H, 900, 901 (MPT) (DN for Narrowband) | |||
| KPG-144d | None |
| Software Nomenclature | Radios Associated With | Radio Use Manual | Radio Service Manual | Other Radio Information |
| KPG-145d | None | |||
| KPG-146d | None | |||
| KPG-147NC v 1.00 | KMC-51, 52 Mic Programmer | |||
| KPG-148d | None | |||
| KPG-149RM v 1.10 | NXR-700, 800, 710, 810 | |||
| KPG-150AP v 1.20 | Nexedge OTAP Software | |||
| KPG-151AE v ?.?? | KWD-AE21, KWD-DE21 Encryption | |||
| KPG-152d v ?.?? | TK-3310 | |||
| KPG-153d v ?.?? | TK-P721 | |||
| KPG-154d v ?.?? | TK-M721 | |||
| KPG-155d v ?.?? | TK-P701 | |||
| KPG-156d | None | |||
| KPG-157d | None | |||
| KPG-158d v 2.20 | TK-2402V, 2406, 2407, 3402U, 3407 | |||
| KPG-159DN v 1.05 | TK-2402V, 3402U LMR | |||
| KPG-160d v 1.00 | TK-2400, 3400 LMR & Protalk | |||
| KPG-161d | Not Yet Assigned | |||
| KPG-162d | Not Yet Assigned | |||
| KPG-163d | Not Yet Assigned | |||
| KPG-164d | Not Yet Assigned | |||
| KPG-165d | Not Yet Assigned | |||
| KPG-166d | Not Yet Assigned | |||
| KPG-167d | Not Yet Assigned | |||
| KPG-168d | Not Yet Assigned |
| Special Software | Version | Description | Remarks | |
| KAS-10 | 3.05 | AVL Dispatch Software | ||
| KGS-3 | ? | AVL Dispatch Software | ||